Way back a few months ago you may recall a post about how the old publishing company was part of the Short List for the British Fantasy Society’s annual awards.
Earlier today (a couple of hours ago, I think), it was revealed that Tim Lebbon’s The Reach of Children won for Best Novella.
Congratulations to Tim are very-well deserved. Especially well-deserved as it was some of the finest writing I read last year, probably only second to Ray Bradbury’s Something Wicked This Way Comes (which hadn’t been read before).
ADDEDLATER:
For those who wish they had been in Nottingham when the award was announced, here’s the next best thing: VIDEO!
For an odd bit of fun, count the number of very un-hairy male heads involved in Horror Writing. No idea what this means, or which causes which to take place.
Mood: melancholy Music: Dexter Gordon “Soul Sister”, Dexter Calling… (Blue Note, 1961) Book: Michael Marshall, The Intruders (ISBN978−0−06−123502−3)
A bit odd celebrating the achievements of a publishing venture I’m no longer associated with, but the work of my fingers and mind-bones is still there in black-and-white, so there’s something. News of the following reached me awhile ago but as it’s only been announced now, I’ve kept my lips restrained.
The following books and heir contents have received short-list nominations for the 2008 British Fantasy Awards, with winners to be announced at the convention in September of this year in Nottingham, UK.
Best Anthology: The 2ND Humdrumming Book of Horror Stories, Ian Alexander Martin, Editor
The August Derlith Fantasy Award for Best Novel: Rain Dogs, Gary McMahon
Best Short Fiction: “The Tobacconist’s Concession”, John Travis, appeared in The 2ND Humdrumming Book of Horror Stories
Best Short Fiction: “Pinholes in Black Muslin”, Simon Strantzas, appeared in The 2ND Humdrumming Book of Horror Stories
So, get out there! Vote early & vote often via the BFS site: CLICKTHISBITHERE ! If you are a member of the British Fantasy Society or if you attended FantasyCon ’08 last September, then you are able to cast a vote to determine the winners in each category.
Mood: right chuffed Music: Dexter gordon, “I Want More”, Dexter Calling… (1961, Blue Note Records) Book: Mervyn Peake’s “The Gormenghast Trilogy” (this edition 978−0−099−28889−3, Vintage U.K. / Random House)
Early this morning, in a scene evoking the announcement of the Oscar® Nomination, the new publishing house Atomic Fez Publishing was announced by its proprietor, Ian Alexander Martin.
As the sky above him filled with flocks of doves and Canada Geese, Mr. Martin publicly confirmed the existence of Atomic Fez, admitting it was “one of the worst-kept secrets in the Small Press Community of late”. No doubt responding to the frequent rumours of his return to the publishing game, he was last heard from following the demise late last year of the UK-based firm Humdrumming, Ltd., which had been under his control since early spring of that year after founding publisher Guy Adams handed him the reins due to his growing number of professional writing commitments.
His new venture, Mr. Martin announced, would be “a Small Press House with Large Press notions of inclusivity.” Pointing out the people are rarely only “readers of only one variety of fiction, and Atomic Fez proposes to make available as many sorts of books as time and the company ledgers permits.” When asked to explain what he was babbling about, he suddenly resembled a sidewalk proselytiser, declaring that he felt that “too often things about books are made QUITEIMPORTANT and VERYSERIOUSINDEED, casting aside anything which might be seen as ‘enjoyable’”, explaining that “the principle driving force behind certain titles being selected is simple: Books Are Fun Again!”
As well as providing books in the traditional format — described by Mr. Martin as “the ‘dead tree’ variety of books using ink, paper, and bits of glue” — Atomic Fez will be also be endeavouring to tap into the latest of modern technology making available all its titles in the ‘electronic book’ format. Explaining this bi-formatted, pincer-movement approach to publishing, he explained that “the concept that either form [of publishing format] is a ‘bad’ way of getting a story into the hands of a reader is anathema to a logical mind. If you hate e-books, we have paper ones for you. If you hate paper ones, we have ‘e-books ‘to tempt you instead. Either way, we want your money. In the future,” he continued, “it is hoped that both forms [of book] can happily exist side-by-side as they have individual strengths for differing sorts of readers. After all, both forms are equally damaged when dropped in a tub full of hot water.”
Sources close to the company — requesting anonymity due to threatened punishment using hi-fidelity recordings of Mrs. Elva Miller and / or Sebastian Cabot — stated that the first title to be released by the Publisher would be a brand-new novel by the noted Welsh writer Rhys Hughes, which would likely be released early in Q3 to coincide with the British Fantasy Society’s FantasyCon 2009 in mid-September. The book’s contents are being edited now, with final text to be established and at the printers by the start of July. While the source was unable to provide an exact price, they did allow that “something reasonable around the twenty-five dollar mark is what we’re looking at.”
Further titles are entirely unconfirmed and the nature of their contents isn’t know, but Mr. Martin is ‘planning something’ for World HorrorCon in South England’s Brighton, and information has leaked out regarding works from three more British authors being launched at that event in March 2010; with possibly more titles expected in the autumn of the same year, this time including writers from the Dominion of Canada.
Law Enforcement Organisations did not respond to requests for comment, saying they were “very busy getting organised to deal with the crowds expected to take to the streets with hazardous materials.”
Mood: accomplished Music: Bat for Lashes’ “Pearl’s Dream”, Glass (EMI, 2009) Book: Mervyn Peake’s “The Gormenghast Trilogy” (this edition 978−0−099−28889−3, Vintage U.K. / Random House)
That’s my solution; watch the Police and the Tax-Man miss me; I’m immobile!
Having arrived at the start of June realizing that The British Fantasy Society’s FantasyCon was only a little over four months away, the state of the finances of both myself and the company couldn’t be described as being ‘set on solid ground’, and indeed the great statistical likelihood that things will get worse before they get better, the decision has been arrived at that the United Kingdom will be an I.A.M.-free zone during the coming autumn.
This is not something I’m too happy about, obviously, but given the reality that I have yet to repay a single dollar of the costs of last year’s event-filled trip (my première voyage off the North American continent was destined to be legendary, and I’ve never known how to do anything in half-measures) and as my only employment is through Humdrumming it’s unlikely that I’ll be able to do anything about that in the interim, never mind get my hands on the same amount again in a matter of a dozen weeks, there was no choice but this one to be made. Granted, a way for the company to pay my way over and back could be found, but only at the cost of the authors’ well-deserved fees. This is hardly a solution, however, as the only thing that the firm has in any tangible fashion is the goodwill of the authors whose works we publish. Lose that, and the firm has little — if anything — with which to exist.
What is potentially the most disheartening possibility is that this may be the year that Humdrumming is realistically likely to be nominated for, and potentially win, something during the BFS Awards event. Even if we were only to be granted a look in on the nominations list, the opportunities presented during three-day flurry of events to meet authors we’re publishing, as well as ones who might be a part of our stable either soon or in the more distant future, is not one which is properly appreciated until the thing is experienced. You fall into conversation with people you’d not have met otherwise, people whose work is already proudly presented is seen in a new and brighter light as a result of hearing others speak in reverential terms of the writing, perhaps a chance meeting with a Guest of Honour leads to opportunities not even considered possible until then.
Indeed, this year we have a number of wonderful books to launch, and even have a couple of wonderful things to make official announcements of for the first time. We even are to have our own book launch event, something rarely heard of for any publisher, and certainly not for one whose existence is less than five years in age.
Yet, sadly, this is the way things have transpired this year.
Ah well, one makes what decision one can based upon the information available at the time one makes it.
Still… it’s an arse, i’nit?
Mood: disappointed Music: “Helpless Automation” by Men at Work, Business as Usual (1981) Book: Christopher Fowler’s Ten-Second Staircase (2007, Doubleday [Transworld]), 978−0−553817−20−1
Believe it or not we’ve only got to Day 5. I know this is taking me a long time to tell this story of my trip, but what with the continuing balderdash of the motor accident my heart just isn’t often in it.
A brief word about that by the way: the motorcyclist is improving (I keep meaning to get back to the person who told me this but I keep being distracted by things; my bad), so all there is getting better for him. However, I can’t seem to get a solicitor to even reply to an e-mail, fax, or even good old fashioned letter post. So the latest correspondence went to the Canadian High Commission in Canada House on Trafalgar Square. Let’s see what sort of diplomatic service can be done.
Meanwhile, here’s the tale of woe explaining how you do not get from Stratford-upon-Avon to King’s Lynn; unless you are determined to have interesting video to post on your blog when you return.
It’s a bit of a large long file, and runs just under 7½ minutes, so you might want to get a refreshment.
I arrived at the hotel in King’s Lynn after becoming lost in the town and having a nice restaurateur explain how to get all the way back through town to the hotel where I was supposed to meet up with my ride to the dinner. I had possibly the fasted pint of my life and felt none of the usual effects after it.
When I attempted to locate the restaurant the next evening in order to give the man my commerce, I could not locate him. I believe he only existed long enough to help me, and then vanished until someone else needs assistance.
This fall, I will find him and enjoy dinner there. And I will get there from the hotel by taxi.
Ian Alexander Martin [IAM] is the Proprietor of Atomic Fez Publishing, as well as formerly being an actor and theatre director based in British Columbia, and also was Founding Editor and Publisher of the theatre magazine The Boards. [read more]